mumbai fables gyan prakash.pdf

siege for more than two.
Prakash introduces us to the citys icons, like Sir Jamsetjee Jeejeebhoy, after whom the city has named a hospital and an art school, but reminds us that he made his fortune trading opium.
Ingenta Connect website makes use of cookies so as to keep track of data that you have filled.Moreover, English is widely spoken and understood in the city.Prasannarajan, India Today, more reviews.Some of those writers penned the scripts of Bollywood.The vice-chancellor immediately withdrew the book from the syllabus, ttpod player for windows 7 to the horror of many of the citys residents.And at the moment of contact, they do not know if the hand that is reaching for theirs belongs to a Hindu or Muslim or Christian or Brahmin or untouchable or whether you were born in this city or arrived only this morning All they.Chapter 6: from RED TO saffron 204.Mass retaliation is rare in trading cities.).But what ultimately may tear the city apart some day is the threat within, the Shiv Sena.Diseases spread, sparing the colonial masters, but the city found ingenius ways to survive amidst Dickensian filth.
The cost of reclamation is high, and only expensive apartments can be built there; as the poor need a place to live, slums proliferate, sharpening social inequity.
From Rushdie to Mistry, and through academic and popular histories, Bombay has been well served in books.
Prakash was not born in the city; his interest and affection developed later.
Table of Contents: List of Illustrations ix, chapter 1: THE mythic city.
Two years later, the city continues to live on edge.
(Unlike Delhi and Ahmedabad, to name two cities which have erupted into riots after experiencing targeted violence, Bombay stayed calm.But Bombay was not a mispronounced corruption of Mumbai, nor was Mumbai necessarily the citys original name.Salil Tripathi is a London-based writer who was born in Bombay when it was still known by that name, and author.In his monumental book, Maximum City, Suketu Mehta explained the beauty of the city: In the crowded suburban trains, you can run up to the packed compartments and find many hands stretching out to grab you on board, unfolding outwards from the train like petals.Mumbai Fables explores the mythic inner life of this legendary city as seen by its inhabitants, journalists, planners, writers, artists, filmmakers, and political activists.He approaches Bombay like a cultural anthropologist.Each episode he details provides a glimpse into the citys past and its essence.A large proportion of the city is made of reclaimed land, and one consequence of sustained reclamation is the severe erosion of the coast northward, exposing buildings to the fury of the sea.But by insisting on Mumbai, the Sena wanted to remind others that they were outsiders.Starting from the catastrophic floods and terrorist attacks of recent years, Prakash reaches back to the sixteenth-century Portuguese conquest to reveal the stories behind Mumbai's historic journey.Its campaign succeeded, and the jury exonerated the officer, leading to the eventual end of trial by jury in India.Bombay is where barriers crumble; and that idea is the one that the terrorists wanted to attack.Prakash doesnt succumb to the rhetoric, and calls the city Bombay where necessary, reinforcing the idea of an older, more inclusive place.At first his narrative seems disjointed: he pieces together scraps of information from tabloids, century-old novels, popular history, poetry, billboards, advertising posters, and serious academic workswith the enthusiasm of an eclectic collector.